Two promising strong female characters. We have Agneta, waving farewell to her grandchildren with a gun behind her back. And then Sara, taking down criminals whilst ruminating on whether having an outlet for violence makes you more or less aggressive.
It keeps up the drama surprisingly well after Agneta shoots her husband. I don't have much patience for complicated plots about terrorist networks, but if it sticks with these characters and develops them convincingly then it should be interesting.
The use of scale on the cover is great. The phone left dangling conveys action, which is emphasised by the dramatic strapline being spliced by the cord. Well balanced, with three syllables on each side, so it has a strong rhythm and adds to the drama.
It keeps up the drama surprisingly well after Agneta shoots her husband. I don't have much patience for complicated plots about terrorist networks, but if it sticks with these characters and develops them convincingly then it should be interesting.
The use of scale on the cover is great. The phone left dangling conveys action, which is emphasised by the dramatic strapline being spliced by the cord. Well balanced, with three syllables on each side, so it has a strong rhythm and adds to the drama.