The first thing that struck me is that Lefteri does a very good job of distinguishing her character's voices - sometimes with multiple first person perspectives, it can become hard to tell who's speaking, but in these first few chapters I felt that two strong character voices were established.
From this first glimpse, this appears to be a book preoccupied with the past, and I'm curious to see if this reflective tendency continues as the book progresses - how much of the story will centre in the now, and how much of the plot will rely upon that which has already occurred?
From this first glimpse, this appears to be a book preoccupied with the past, and I'm curious to see if this reflective tendency continues as the book progresses - how much of the story will centre in the now, and how much of the plot will rely upon that which has already occurred?