Whilst there is nothing original about telling the interweaving stories of neighbours living in a tight-knit community, Gemma Reeve’s moving debut novel stands out as an excellent illustration of how effective this method of storytelling can be. Her evocative use of language was evident within her earliest sentences, meaning that by the end of the first chapter I felt I’d not only got to know (and love) Wolfie and Mona in the present day, but had learnt much about their fifty-year marriage, about the kosher deli Wolfie had, until his retirement a year earlier, owned and run for sixty-six years, the shed at the bottom of his garden where he continued to smoke salmon and his philosophy on cooking – Cooking helped him to shrink the borders between giving people what they needed and understanding what he needed himself.
I’d also been introduced to other members of his community and had made my first trip into Victoria Park, where Wolfie now walked every day – a routine Mona had prescribed for him since retirement. ‘There’s nothing a brisk walk can’t fix’ she would say … She was right, as she so often was. The author’s ability to so immediately conjure-up such vivid, evocative images, to make her characters leap from the page, ensured that each of the following eleven chapters added complex layers of depth to the developing story.
Although each of the chapters is written from the perspective of a different character who lives close to the park, one of the central strengths of the story lies in how their stories intersect, allowing the reader to gradually see each of the individual characters and their experiences in a different light. I was really impressed by the author’s skill in giving her disparate characters such distinctive voices as she revealed their daily lives and the struggles they were facing. With such relatively short chapters and many changes of perspective, the story could so easily have felt disjointed but there was never a moment when I felt unable to follow its flow, or to remain immersed in the lives of all the residents. I’m sure that this was due to the fact that the interconnectedness of the characters, the gradual revelations of the impact individuals’ behaviour had on the lives of others in the community, were all explored with sensitivity and empathy.
I’d also been introduced to other members of his community and had made my first trip into Victoria Park, where Wolfie now walked every day – a routine Mona had prescribed for him since retirement. ‘There’s nothing a brisk walk can’t fix’ she would say … She was right, as she so often was. The author’s ability to so immediately conjure-up such vivid, evocative images, to make her characters leap from the page, ensured that each of the following eleven chapters added complex layers of depth to the developing story.
Although each of the chapters is written from the perspective of a different character who lives close to the park, one of the central strengths of the story lies in how their stories intersect, allowing the reader to gradually see each of the individual characters and their experiences in a different light. I was really impressed by the author’s skill in giving her disparate characters such distinctive voices as she revealed their daily lives and the struggles they were facing. With such relatively short chapters and many changes of perspective, the story could so easily have felt disjointed but there was never a moment when I felt unable to follow its flow, or to remain immersed in the lives of all the residents. I’m sure that this was due to the fact that the interconnectedness of the characters, the gradual revelations of the impact individuals’ behaviour had on the lives of others in the community, were all explored with sensitivity and empathy.