Detailed and well-researched but a little too slow-paced
The Turn of Midnight is the second book in the author’s ‘Black Death’ series, the follow-up to The Last Hours. The Turn of Midnight can be read as a standalone, partly thanks to the useful rundown of the key characters and events from The Last Hours at the beginning of the book. Like the first book, The Turn of Midnight follows the fortunes of the inhabitants of the demesne of Develish in Dorseteshire. However, whereas the focus of The Last Hours was their efforts to fend off the pestilence, The Turn of Midnight is concerned with the aftermath of the plague and its economic and social consequences for both Develish and the rest of Dorsetshire.
I’ll confess that I wasn’t as enamoured with The Last Hours as many other readers, having come to it with high expectations because of the author’s reputation as a writer of thrillers. As well as feeling slightly let down by the nature of the ending (as I hadn’t realised there was a sequel planned), I also found the book over long and rather slower than I’d anticipated. Unfortunately, I have similar feelings about The Turn of Midnight. However, I’m happy to accept this might be partly to do with listening to an audiobook version, which is an experience rather new to me. I’m still getting used to the fact it takes longer to listen to a book than it would for me to read it!
In The Last Hours, the danger faced by the inhabitants of Develish as the plague sweeps the country, did at least provide a sense of jeopardy. In The Turn of Midnight, Develish has survived the plague and the focus is on exploring further afield to replenish supplies and establish the impact of the plague on the wider community. A number of subplots were introduced in The Last Hours, chiefly involving Lady Anne’s adopted daughter, Lady Eleanor, but she largely recedes into the background in The Turn of Midnight. Instead there are lengthy (I am tempted to say ‘interminable’) descriptions of the journeys that serf-turned-steward, Thaddeus Thirkell, takes into the countryside, accompanied by some of the young men of Develish, in order to find supplies of grain and other foodstuffs, to recover other goods of value and visit other demesnes.
Some of the social impacts of the plague foreshadowed in the first book have come to pass. For example, nobles dependent on serfs to restore the wealth of their lands are waking up to the fact that the law of supply and demand means the few serfs left alive will be able to bargain with landowners for their freedom, or even wages, in return for their labour. Effectively, there has been a reshaping of the social order with the needs of survival thrusting ordinary people into positions of unaccustomed authority or forcing them to take responsibility for decision-making and organisation where they would previously have been used to taking direction. Not all the nobility are able (or willing) to recognise how the position has changed. Lady Anne, unusually egalitarian for a woman of her time, is one of the few who does recognise the need for adaptation.
The author explores once again the conflict between those who support the teachings of the Church that the plague was sent by God to punish the wicked and those, like Lady Anne, who recognise that the plague affected serf and noble, innocent and sinner alike and believe there were more practical reasons why some survived and others did not. Views like hers are regarded as heresy by some.
Like The Last Hours, The Turn of Midnight is clearly the product of extensive research and contains a lot of historical detail I found fascinating. However, the slow pace meant I didn’t enjoy the book as much as I hoped. The narrator, Helen Keeley, does a good job, creating distinctive voices for the various characters (the majority of which are male) and skilfully handling regional and foreign accents.
I received a review copy of the book courtesy of publishers, Allen & Unwin, and Readers First but chose to listen to the audiobook version via the RBDigital app provided by my local library (partly to dip a toe in the water, so to speak, into the world of audiobooks).
I’ll confess that I wasn’t as enamoured with The Last Hours as many other readers, having come to it with high expectations because of the author’s reputation as a writer of thrillers. As well as feeling slightly let down by the nature of the ending (as I hadn’t realised there was a sequel planned), I also found the book over long and rather slower than I’d anticipated. Unfortunately, I have similar feelings about The Turn of Midnight. However, I’m happy to accept this might be partly to do with listening to an audiobook version, which is an experience rather new to me. I’m still getting used to the fact it takes longer to listen to a book than it would for me to read it!
In The Last Hours, the danger faced by the inhabitants of Develish as the plague sweeps the country, did at least provide a sense of jeopardy. In The Turn of Midnight, Develish has survived the plague and the focus is on exploring further afield to replenish supplies and establish the impact of the plague on the wider community. A number of subplots were introduced in The Last Hours, chiefly involving Lady Anne’s adopted daughter, Lady Eleanor, but she largely recedes into the background in The Turn of Midnight. Instead there are lengthy (I am tempted to say ‘interminable’) descriptions of the journeys that serf-turned-steward, Thaddeus Thirkell, takes into the countryside, accompanied by some of the young men of Develish, in order to find supplies of grain and other foodstuffs, to recover other goods of value and visit other demesnes.
Some of the social impacts of the plague foreshadowed in the first book have come to pass. For example, nobles dependent on serfs to restore the wealth of their lands are waking up to the fact that the law of supply and demand means the few serfs left alive will be able to bargain with landowners for their freedom, or even wages, in return for their labour. Effectively, there has been a reshaping of the social order with the needs of survival thrusting ordinary people into positions of unaccustomed authority or forcing them to take responsibility for decision-making and organisation where they would previously have been used to taking direction. Not all the nobility are able (or willing) to recognise how the position has changed. Lady Anne, unusually egalitarian for a woman of her time, is one of the few who does recognise the need for adaptation.
The author explores once again the conflict between those who support the teachings of the Church that the plague was sent by God to punish the wicked and those, like Lady Anne, who recognise that the plague affected serf and noble, innocent and sinner alike and believe there were more practical reasons why some survived and others did not. Views like hers are regarded as heresy by some.
Like The Last Hours, The Turn of Midnight is clearly the product of extensive research and contains a lot of historical detail I found fascinating. However, the slow pace meant I didn’t enjoy the book as much as I hoped. The narrator, Helen Keeley, does a good job, creating distinctive voices for the various characters (the majority of which are male) and skilfully handling regional and foreign accents.
I received a review copy of the book courtesy of publishers, Allen & Unwin, and Readers First but chose to listen to the audiobook version via the RBDigital app provided by my local library (partly to dip a toe in the water, so to speak, into the world of audiobooks).