The dramatic cover plays on the familiar silhouette of the Houses of Parliament above a cooler personal confrontation below, very suitable for a political thriller set in London. The first person narrator sounds convincingly entitled, cynical and amoral. And very self-aware. A thriller needs to grip from the beginning and set a cracking pace; The Whistleblower gets off to a very good start.
Except for a confusion between peddling information and pedalling a bicycle!
Except for a confusion between peddling information and pedalling a bicycle!